
It’s true. (via annyas)

I’m having a Pulp Fiction moment. “Bitch be cool” and let me ride it out. Banana Slugs!

I reviewed Videodrome a few years ago (man time flies!) but somehow missed these brilliant stills. Better late than never! Cronenberg sure loves an exploded head. Possibly NSFW.

Rumble Fish is the handsome companion to The Outsiders. And I’m pretty sure that’s exactly what Francis Ford Coppola wanted. Released the same year and also based on a novel by Outsiders’ author S.E. Hinton, what it lacks in the boyhood nostalgia of Ponyboy et al, it adds in rich visuals. Coppola’s choice to shoot in high contrast black and white gave the film at it’s finest a French New Wave or Godard like feeling, and more recently could be seen as a source of inspiration for the look and feel of designer and photographer Hedi Slimane’s Diary. Here Coppola and cinematographer Stephen H. Burum elevate b-roll to something brilliant and far greater than filler. It’s the prettiest mediocre film I’ve seen in a long time.

I love that these letters look like they have been cut out of construction paper.
— Vincent Vega (John Travolta) in Pulp Fiction (1994)

Another gem from the 1982 Miss Piggy calendar where she and Kermy take on Great Lovers of the Silver Screen. I love Rizzo as Fritz, the devoted assistant. Need this calender in my life.

A beautiful image of Faye Dunaway on the morning after winning an Oscar for Network, taken by then boyfriend and famed photographer Terry O’Neill.